Although the idea of setting Latin melodies to house and dub was by no means a reinvention of the wheel marked interesting club music – Rey De Copa’s seminal 1992 floor filler Frontera Del Ensueno is a case in point – Gotan Project gave it a superb spin with their 2000 single Triptico. It was a quite head-turning creation. Against a pounding 4/4 kick drum, bandoneóns and organs alternately danced and melted into a haze of low-slung electronics before building to ecstatic riffs just as one imagined that a meeting of Lee Perry, Masters at Work and Astor Piazzollawould have done had anybody been godly enough to corral them into a fantasy studio in audio Valhalla. [..]